{"id":5656,"date":"2025-05-20T13:04:33","date_gmt":"2025-05-20T11:04:33","guid":{"rendered":"https:\/\/www.voix-romane.com\/gilles-binchois\/"},"modified":"2025-05-27T12:24:26","modified_gmt":"2025-05-27T10:24:26","slug":"gilles-binchois","status":"publish","type":"page","link":"https:\/\/www.voix-romane.com\/de\/gilles-binchois\/","title":{"rendered":"Gilles Binchois"},"content":{"rendered":"

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Sonntag, 14. September | 18h<\/span><\/p>\n

Andlau | Abbatiale <\/span>Sainte-Richarde<\/p>\n

[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Programm” _builder_version=”4.25.1″ _module_preset=”default” background_enable_image=”off” background_size=”custom” background_position=”bottom_right” background_blend=”darken” custom_margin=”6px|||||” custom_padding=”3px||4px|||” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ module_class=”pa-inline-buttons” _builder_version=”4.26.0″ _module_preset=”default” custom_padding=”||2px|||” locked=”off” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Barlow|500|||||||” text_text_color=”rgba(0,0,0,0.8)” text_font_size=”16px” text_line_height=”1.8em” header_font=”Alata||||||||” header_font_size=”17px” header_2_font=”|600|||||||” header_2_text_color=”#144b97″ header_2_font_size=”40px” header_2_letter_spacing=”2px” header_2_line_height=”1.2em” header_3_font=”|600|||||||” header_3_text_color=”#144b97″ header_3_font_size=”30px” header_3_line_height=”1.2em” header_4_font=”Calps Light||||||||” header_4_text_color=”#d06728″ header_4_font_size=”22px” background_enable_image=”off” background_size=”custom” background_image_width=”31%” background_image_height=”0%” background_position=”top_right” background_vertical_offset=”-7%” text_font_size_tablet=”14px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_2_font_size_tablet=”35px” header_2_font_size_phone=”30px” header_2_font_size_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” header_4_font_size_tablet=”” header_4_font_size_phone=”14px” header_4_font_size_last_edited=”on|tablet” header_4_line_height_tablet=”” header_4_line_height_phone=”1.5em” header_4_line_height_last_edited=”on|phone” inline_fonts=”Acme,Calps Light,Calps Slim Light” global_colors_info=”{}”]<\/p>\n

Die Kunst des mittelalterlichen Kantors
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Ausgehend von der gesungenen Rezitation der lateinischen Texte von<\/span> <\/span>Die Liturgie, der Gesang der Alten Kirche, hat die Form von<\/span><\/span>einer Melodie mit freiem Rhythmus, verziert, mit vollem Tempo.<\/span> <\/span>Stimme. Der gregorianische Gesang ist auf die L\u00e4nge des Tages abgestimmt.<\/span>s<\/span>Als menschlicher Atem stellt er die Beziehung des Menschen zur Natur her.<\/span> <\/span>Diese Beziehung ist tief in seiner Natur verankert.<\/span><\/p>\n

Ab dem Jahr 1000 wurde diese Vokalit\u00e4t praktiziert.<\/span> <\/span>Die besondere Atmosph\u00e4re in diesem Land inspirierte S\u00e4nger und Komponisten.<\/span> <\/span>Kl\u00f6stern und Kathedralen. Sie bereicherten<\/span> <\/span>Die alten westlichen Liturgien werden durch eine neue Art der Liturgie ersetzt.<\/span> <\/span>und musikalischen Produktion und durch Techniken, die in der Lage sind, die<\/span> <\/span>Die ersten Beispiele dieser polyphonen Musik finden sich in<\/span> <\/span>ehrgeizige Zeugnisse in England und im Norden Englands.<\/span> <\/span>Frankreich im 11.<\/span><\/p>\n

Das 12. Jahrhundert ist in Frankreich eine Periode der Sch\u00f6pfung.<\/span> <\/span>Musik von unglaublicher Modernit\u00e4t, sowohl auf der Ebene der Musik als auch auf der Ebene der Musik.<\/span><\/span>monodisch und polyphon, sondern auch in der<\/span> <\/span>poetischen Bereich. Wir nennen diese neue Rechnung<\/span> <\/span>\u201eNova <\/span>Cantica<\/span>\u201c; die daraus resultierenden Werke<\/span> <\/span>die Exzellenz in der Beziehung zwischen Text und Sprache zu erreichen<\/span> <\/span>und Musik. Es war das Jahrhundert, in dem sich die<\/span> <\/span>die \u00e4sthetische Verankerung der westlichen Musikkunst.<\/span><\/p>\n

Im 13. Jahrhundert wurde die Polyphonie immer wichtiger.<\/span> <\/span>immer mehr an Bedeutung, insbesondere mit dem Aufkommen von Polyphonie.<\/span> <\/span>neue Formen wie die Motette, die oft mehrstimmig ist,<\/span> <\/span>In der Motette werden mehrere Texte gleichzeitig vorgetragen.<\/span><\/p>\n

Dieses Konzert stellt Musik verschiedener Stile und Stilrichtungen einander gegen\u00fcber.<\/span> <\/span>in sehr unterschiedlichen Formen, weit \u00fcber das Land verteilt.<\/span><\/span>alle suchen in ihrem eigenen Ausdruck<\/span> <\/span>die Intensit\u00e4t ihres Gebets zu bezeugen. Er antwortet<\/span> <\/span>und dem Wunsch, diese vergessenen Sch\u00e4tze am Leben zu erhalten.<\/span> <\/span>seit Jahrhunderten.<\/span><\/p>\n

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Ensemble Gilles Binchois<\/h3>\n
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Seit seiner Gr\u00fcndung im Jahr 1979 hat das Ensemble Gilles Binchois unter der Leitung von Dominique Vellardt eine Reihe von Konzerten gegeben. <\/span>Vellard<\/span>Das Ensemble hat sich bem\u00fcht, eine ganze Periode der Musikgeschichte zu entdecken, zu erforschen, zu z\u00e4hmen, manchmal zu enth\u00fcllen und aufzuwerten, die in den Konzerten, in der Diskographie und im Musikstudium an den Konservatorien noch nicht den Platz hatte, den sie verdiente.<\/span><\/p>\n

Das Ensemble arbeitet st\u00e4ndig an den Repertoires des Mittelalters und der Renaissance, um sie im Lichte neuer Entdeckungen und eines neuen Verst\u00e4ndnisses der oft komplexen und ungenauen musikalischen Notation zu betrachten, sie sich zu eigen zu machen und sie lebendig werden zu lassen. Mehr als vier Jahrzehnte <\/span>Vertrautheit mit der Musik<\/span> die alten Repertoires haben Interpretationen gepr\u00e4gt, deren Aufnahmen \u00fcber die Jahre hinweg immer wieder als Referenzen dienen. <\/span>bei<\/span>Sie werden von vielen Lehrern und Professoren anerkannt. <\/span>vielen Professoren und Dozenten.<\/span> und Musikwissenschaftlern an Universit\u00e4ten in der ganzen Welt.<\/span><\/p>\n

<\/span>Das Ensemble wird auch weiterhin <\/span>Das Ensemble wird weiterhin<\/span>Mit seinen Projekten m\u00f6chte es die Gegenwart mit dem Reichtum unserer musikalischen Vergangenheit bereichern.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.billetweb.fr\/lart-du-chantre-medieval-ensemble-gilles-binchois” url_new_window=”on” button_text=”Ticketverkauf” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”20px” button_text_color=”#875b6c” button_border_width=”0px” button_border_radius=”10px” button_letter_spacing=”0px” button_font=”Barlow||||||||” button_icon=”||fa||900″ button_icon_placement=”left” button_on_hover=”off” custom_margin=”-5px||5px||false|false” custom_padding=”||||false|false” button_text_size_tablet=”16px” button_text_size_phone=”16px” button_text_size_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_button][et_pb_button button_url=”https:\/\/www.voix-romane.com\/toute-la-programmation-2025\/#andlau” button_text=”Das gesamte Programm des Tages” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”20px” button_text_color=”#875b6c” button_border_width=”0px” button_border_radius=”10px” button_letter_spacing=”0px” button_font=”Barlow||||||||” button_icon=”||fa||900″ button_icon_placement=”left” button_on_hover=”off” custom_margin=”-5px||5px||false|false” custom_padding=”||||false|false” hover_enabled=”0″ button_text_size_tablet=”16px” button_text_size_phone=”16px” button_text_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][et_pb_button button_url=”https:\/\/www.route-romane.com\/alsace\/andlau\/” url_new_window=”on” button_text=”Die Kirche auf der romanischen Stra\u00dfe des Elsass” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”20px” button_text_color=”#875b6c” button_border_width=”0px” button_border_radius=”10px” button_letter_spacing=”0px” button_font=”Barlow||||||||” button_icon=”||fa||900″ button_icon_placement=”left” button_on_hover=”off” custom_margin=”-5px||5px||false|false” custom_padding=”||||false|false” button_text_size_tablet=”16px” button_text_size_phone=”16px” button_text_size_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Barlow|500|||||||” text_text_color=”rgba(0,0,0,0.7)” text_font_size=”16px” text_line_height=”1.3em” header_2_font=”Alata||||||||” header_2_font_size=”30px” header_2_letter_spacing=”2px” header_2_line_height=”1.2em” header_3_font=”|600|||||||” header_3_text_color=”#144b97″ header_3_font_size=”30px” header_3_line_height=”1.2em” background_color=”#FFFFFF” background_enable_image=”off” background_size=”custom” background_image_width=”33%” background_position=”top_right” custom_padding=”5px|5px|5px|5px|false|false” text_font_size_tablet=”14px” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” header_2_font_size_tablet=”40px” header_2_font_size_phone=”30px” header_2_font_size_last_edited=”on|phone” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|desktop” inline_fonts=”Acme” global_colors_info=”{}”]<\/p>\n

Besetzung<\/span><\/span><\/span><\/h3>\n

Anne Delafosse
Stimme<\/span><\/p>\n

Anne-Marie Lablaude<\/span>
<\/span>Stimme<\/span><\/p>\n

Dominique Vellard
Stimme und Leitung<\/span><\/p>\n

Cyprien Sadek
Stimme<\/span><\/p>\n

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Rund um das Konzert<\/span><\/span><\/span><\/h3>\n

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Chapelle Sainte-Marguerite
EPFIG<\/h4>\n

10.30 Uhr – Workshop gregorianischer Gesang<\/span><\/a><\/h5>\n

Mit Caroline Magalh\u00e3es<\/span><\/p>\n

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11.30 Uhr – Taschenkonzert<\/span><\/a><\/h4>\n

\u201eHypnose: Gilles Binchois und pers\u00f6nliche Kompositionen\u201c mit Francisco Ma\u00f1alich, Tenor und Gambe<\/span><\/p>\n

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\u00c9glise Sainte-Richarde
ANDLAU<\/h4>\n

13.30 und 15.00 Uhr – Gef\u00fchrte Besichtigung<\/span><\/a><\/h5>\n

Mit B\u00e9n\u00e9dicte Gonnet<\/span><\/p>\n

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13.30, 14.30 und 15.30 Uhr – Taschenkonzert<\/span><\/a><\/h4>\n

Marionetten- und Glasmalerei-Show mit Myl\u00e8ne Billand<\/span><\/p>\n

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16.30 Uhr – Musikstunde mittelalterlicher Musik<\/span><\/a><\/h4>\n

Mit dem Gilles Binchois Ensemble<\/span><\/p>\n

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19.00 Uhr – Wein und H\u00e4ppchen<\/span><\/h4>\n

In der Pause des Konzerts<\/span><\/p>\n

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Sonntag, 14. September | 18h Andlau | Abbatiale Sainte-RichardeDie Kunst des mittelalterlichen Kantors Ausgehend von der gesungenen Rezitation der lateinischen Texte von Die Liturgie, der Gesang der Alten Kirche, hat die Form voneiner Melodie mit freiem Rhythmus, verziert, mit vollem Tempo. Stimme. Der gregorianische Gesang ist auf die L\u00e4nge des Tages abgestimmt.sAls menschlicher Atem stellt […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-5656","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/comments?post=5656"}],"version-history":[{"count":5,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5656\/revisions"}],"predecessor-version":[{"id":5906,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5656\/revisions\/5906"}],"wp:attachment":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/media?parent=5656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}