{"id":5613,"date":"2025-05-22T11:07:46","date_gmt":"2025-05-22T09:07:46","guid":{"rendered":"https:\/\/www.voix-romane.com\/musikspiegel\/"},"modified":"2025-05-27T12:14:13","modified_gmt":"2025-05-27T10:14:13","slug":"musikspiegel","status":"publish","type":"page","link":"https:\/\/www.voix-romane.com\/de\/musikspiegel\/","title":{"rendered":"Le Miroir de Musique"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” next_background_color=”#ffffff” _builder_version=”4.27.4″ _module_preset=”default” background_enable_color=”off” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(0,0,0,0.15) 0%|rgba(0,0,0,0.17) 100%” background_color_gradient_overlays_image=”on” background_image=”https:\/\/www.voix-romane.com\/Site\/wp-content\/uploads\/2025\/05\/Miroir-de-Musique-Photo-Jean-Baptiste-Millot-scaled.jpg” parallax=”on” min_height=”643px” min_height_tablet=”600px” min_height_phone=”100px” min_height_last_edited=”on|phone” custom_padding=”||||false|false” bottom_divider_style=”ramp” bottom_divider_flip=”horizontal” global_colors_info=”{}”][et_pb_fullwidth_header title=”Le Miroir de Musique” button_one_text=”Ticketverkauf” button_one_url=”https:\/\/www.billetweb.fr\/vox-feminae-le-miroir-de-musique” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Calps Slim Light||||||||” title_text_color=”#FFFFFF” title_font_size=”60px” content_font=”Rift Soft – Bold||||||||” content_text_align=”left” content_text_color=”#FFFFFF” content_font_size=”20px” background_color=”RGBA(255,255,255,0)” background_enable_image=”off” custom_button_one=”on” button_one_text_size=”14px” button_one_text_color=”#FFFFFF” button_one_bg_color=”RGBA(255,255,255,0)” custom_padding=”373px||||false|false” custom_padding_tablet=”||||false|false” custom_padding_phone=”200px||||false|false” custom_padding_last_edited=”on|phone” link_option_url_new_window=”on” title_font_size_tablet=”50px” title_font_size_phone=”40px” title_font_size_last_edited=”off|desktop” content_font_size_tablet=”19px” content_font_size_phone=”18px” content_font_size_last_edited=”off|desktop” button_one_text_size_tablet=”13px” button_one_text_size_phone=”12px” button_one_text_size_last_edited=”off|desktop” global_colors_info=”{}”]<\/p>\n

Freitag, 12. September | 20 Uhr<\/span><\/p>\n

Strasbourg | Chapelle <\/span>Saint-\u00c9tienne<\/p>\n

[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Programm” _builder_version=”4.25.1″ _module_preset=”default” background_enable_image=”off” background_size=”custom” background_position=”bottom_right” background_blend=”darken” custom_margin=”6px|||||” custom_padding=”3px||4px|||” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ module_class=”pa-inline-buttons” _builder_version=”4.26.0″ _module_preset=”default” custom_padding=”||2px|||” locked=”off” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Barlow||||||||” text_text_color=”rgba(0,0,0,0.8)” text_font_size=”16px” text_line_height=”1.8em” header_font=”Alata||||||||” header_font_size=”17px” header_2_font=”|600|||||||” header_2_text_color=”#144b97″ header_2_font_size=”40px” header_2_letter_spacing=”2px” header_2_line_height=”1.2em” header_3_font=”|600|||||||” header_3_text_color=”#144b97″ header_3_font_size=”30px” header_3_line_height=”1.2em” header_4_font=”Barlow||||||||” header_4_text_color=”#000000″ header_4_font_size=”20px” background_enable_image=”off” background_size=”custom” background_image_width=”31%” background_image_height=”0%” background_position=”top_right” background_vertical_offset=”-7%” text_font_size_tablet=”14px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_2_font_size_tablet=”35px” header_2_font_size_phone=”30px” header_2_font_size_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” header_4_font_size_tablet=”18px” header_4_font_size_phone=”16px” header_4_font_size_last_edited=”on|tablet” header_4_line_height_phone=”1.5em” header_4_line_height_last_edited=”off|desktop” inline_fonts=”Acme,Calps Light,Calps Slim Light” global_colors_info=”{}”]<\/p>\n

Vox Feminae
<\/span><\/span><\/h2>\n
\n
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Zwischen Zw\u00e4ngen und Freiheiten, Frauenwege in der mittelalterlichen Musik<\/h4>\n

Man stellt sich die Frauen des Mittelalters als Wesen vor, die vollst\u00e4ndig der Autorit\u00e4t der M\u00e4nner, V\u00e4ter, Ehem\u00e4nner und Priester unterworfen waren. In der Geschichte gibt es jedoch erstaunliche Frauen aus allen Schichten, die sich dieser Herrschaft entziehen konnten. <\/p>\n

W\u00e4hrend die von M\u00e4nnern geschriebene Geschichte der mittelalterlichen Frauen lange Zeit ignoriert wurde, ist ihre Stellung im st\u00e4dtischen Umfeld des Sp\u00e4tmittelalters in j\u00fcngster Zeit wieder in den Blickpunkt ger\u00fcckt. Die drei wichtigsten Statusgruppen der Frauen werden auch in den musikalischen Repertoires vorgestellt. <\/p>\n

Ein betr\u00e4chtlicher Teil der mittelalterlichen Musikproduktion stellt die reine Frau in den Mittelpunkt, die durch die Figur der Jungfrau Maria idealisiert und durch das strenge Leben in den Kl\u00f6stern verk\u00f6rpert wird. In der weltlichen Welt wird die verheiratete Frau von den h\u00f6fischen Dichtern begehrt und umworben, und viele Lieder von Troubadouren und Trouv\u00e8res berichten von au\u00dferehelichen Beziehungen, die von der Gesellschaft mehr oder weniger toleriert werden. Nach der Trennung von ihren Ehem\u00e4nnern k\u00f6nnen die Frauen an Freiheit und Macht gewinnen, insbesondere im Adel, wo sie politische \u00c4mter \u00fcbernehmen und sich dem musikalischen M\u00e4zenatentum widmen, wie Eleanor von Aquitanien, Jeanne de Boulogne, Valentina Visconti und Christine de Pisan. <\/p>\n

\n<\/div>\n<\/div>\n

Le Miroir de Musique<\/h3>\n
\n
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Le Miroir de Musique ist ein Ensemble, das sich auf die Musik des Sp\u00e4tmittelalters und der Renaissance spezialisiert hat, von der Zeit der Troubadoure bis zu den humanistischen Bewegungen des 16. Das Ensemble hat seinen Sitz in Basel (Schweiz) und die meisten Mitglieder sind Absolventen der Schola Cantorum Basiliensis. Es besteht aus Pers\u00f6nlichkeiten der neuen Generation von Interpreten der Alten Musik. Le Miroir de Musique – ein Bild, das dem Traktat von Jacques de Li\u00e8ge entlehnt ist – m\u00f6chte die Repertoires des Mittelalters und der Renaissance im Geiste der Quellentreue und des Respekts f\u00fcr die urspr\u00fcngliche Bedeutung der Musik weitergeben. <\/p>\n<\/div>\n<\/div>\n

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Besetzung<\/span><\/span><\/span><\/h3>\n

Dorothea Jakob
Sopran<\/span><\/p>\n

Tessa Roos
<\/span><\/span>Mezzosopran<\/span><\/p>\n

Ivana Ivanovic
Mezzosopran<\/span><\/p>\n

Ivo Haun
Tenor<\/span><\/p>\n

Claire Piganiol
Romanische und gotische Harfen<\/span><\/p>\n

Silke Schulze
Schalmei, Bombarde, Fl\u00f6te und Trommel<\/span><\/p>\n

Elizabeth Rumsey
Streichleier<\/span><\/p>\n

Baptiste Romain
Bogengeige, Dudelsack und Leitung
<\/span><\/p>\n

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Rund um das Konzert<\/span><\/span><\/span><\/h3>\n

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Protestantische Kapelle des alten Zivilkrankenhauses
STRASBOURG<\/h4>\n

17 Uhr – Workshop Gregorianischer Gesang<\/span><\/a><\/h5>\n

Mit Caroline Magalh\u00e3es<\/span><\/p>\n

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Chapelle Saint-\u00c9tienne
STRASBOURG<\/h4>\n

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18.30 Uhr – Musikstunde mittelalterlicher Musik<\/span><\/a><\/h4>\n

Mit Le Miroir de Musique<\/span><\/p>\n

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Freitag, 12. September | 20 Uhr Strasbourg | Chapelle Saint-\u00c9tienneVox Feminae Zwischen Zw\u00e4ngen und Freiheiten, Frauenwege in der mittelalterlichen Musik Man stellt sich die Frauen des Mittelalters als Wesen vor, die vollst\u00e4ndig der Autorit\u00e4t der M\u00e4nner, V\u00e4ter, Ehem\u00e4nner und Priester unterworfen waren. In der Geschichte gibt es jedoch erstaunliche Frauen aus allen Schichten, die sich […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-5613","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/comments?post=5613"}],"version-history":[{"count":8,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5613\/revisions"}],"predecessor-version":[{"id":5895,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5613\/revisions\/5895"}],"wp:attachment":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/media?parent=5613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}