{"id":5581,"date":"2025-05-22T15:51:22","date_gmt":"2025-05-22T13:51:22","guid":{"rendered":"https:\/\/www.voix-romane.com\/huelgas-ensemble\/"},"modified":"2025-05-27T12:10:43","modified_gmt":"2025-05-27T10:10:43","slug":"huelgas-ensemble","status":"publish","type":"page","link":"https:\/\/www.voix-romane.com\/de\/huelgas-ensemble\/","title":{"rendered":"Huelgas Ensemble"},"content":{"rendered":"

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Samstag, 30. August | 18 Uhr<\/span><\/p>\n

Marmoutier | Abbaye <\/span>Saint-\u00c9tienne<\/p>\n

[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Programm” _builder_version=”4.25.1″ _module_preset=”default” background_enable_image=”off” background_size=”custom” background_position=”bottom_right” background_blend=”darken” custom_margin=”6px|||||” custom_padding=”3px||4px|||” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ module_class=”pa-inline-buttons” _builder_version=”4.26.0″ _module_preset=”default” custom_padding=”||2px|||” locked=”off” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Barlow||||||||” text_text_color=”rgba(0,0,0,0.8)” text_font_size=”16px” text_line_height=”1.8em” header_font=”Alata||||||||” header_font_size=”17px” header_2_font=”|600|||||||” header_2_text_color=”#144b97″ header_2_font_size=”40px” header_2_letter_spacing=”2px” header_2_line_height=”1.2em” header_3_font=”|600|||||||” header_3_text_color=”#144b97″ header_3_font_size=”30px” header_3_line_height=”1.2em” header_4_font=”Barlow||||||||” header_4_text_color=”#000000″ header_4_font_size=”20px” background_enable_image=”off” background_size=”custom” background_image_width=”31%” background_image_height=”0%” background_position=”top_right” background_vertical_offset=”-7%” text_font_size_tablet=”14px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_2_font_size_tablet=”35px” header_2_font_size_phone=”30px” header_2_font_size_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” header_4_font_size_tablet=”18px” header_4_font_size_phone=”16px” header_4_font_size_last_edited=”on|tablet” header_4_line_height_phone=”1.5em” header_4_line_height_last_edited=”off|desktop” inline_fonts=”Acme,Calps Light,Calps Slim Light” global_colors_info=”{}”]<\/p>\n

Paris 1200
<\/span><\/span><\/h2>\n
\n
\n

Um 1200 entstand in Paris mit dem Bau der Kathedrale Notre-Dame eine architektonische Sensation. Es ist daher nicht verwunderlich, dass dieses fruchtbare kulturelle Umfeld auch in musikalischer Hinsicht f\u00fcr Aufsehen sorgte, indem sich die sogenannte \u201e\u00c9cole de Notre-Dame\u201c entwickelte. Zum ersten Mal in der Geschichte wurde eine echte Notenschrift entwickelt, die sowohl die Tonh\u00f6hen als auch die L\u00e4ngen der Noten angab. <\/p>\n

Die Qualit\u00e4t der \u00fcberlieferten Kompositionen ist beeindruckend. Es handelt sich um wahre Meisterwerke, die auch heute noch durch ihre Farbigkeit, ihren \u00fcberm\u00e4\u00dfigen Erfindungsreichtum und die beeindruckende Komplexit\u00e4t ihrer polyphonen Konstruktion faszinieren. <\/p>\n

Das Programm umfasst Werke der gro\u00dfen Meister Leonin und Perotin, die anonymen Akklamationen zum Ruhm von K\u00f6nig Philipp August sowie verschiedene anonyme Motetten. Ein Programm, das in eine weit entfernte, aber immer noch spannende musikalische Welt einl\u00e4dt. <\/p>\n

<\/span><\/p>\n<\/div>\n<\/div>\n

Huelgas Ensemble<\/h3>\n
\n
\n

Das Huelgas Ensemble ist bereits seit \u00fcber f\u00fcnfzig Jahren eines der renommiertesten Ensembles, das sich auf die Auff\u00fchrung polyphoner Musik des Mittelalters und der Renaissance spezialisiert hat. Das Ensemble ist international bekannt f\u00fcr seine originelle Programmgestaltung, die oftmals unbekannte Werke hervorhebt. Die Interpretationen werden durch eine gr\u00fcndliche Kenntnis der \u00e4sthetischen Konzeptionen der Musik- und Vokalpraxis des Mittelalters und der Renaissance bestimmt. <\/p>\n<\/div>\n<\/div>\n

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Besetzung<\/span><\/span><\/span><\/h3>\n

Dorothea Jakob
cantus<\/span><\/p>\n

Malwine Nicolaus
<\/span>cantus<\/span><\/p>\n

Helen Cassano
cantus<\/span><\/p>\n

Paul Bentley-Angell
Tenor<\/span><\/p>\n

Daniel Thomson
Tenor
<\/span><\/p>\n

Lo\u00efc Paulin
Tenor<\/span><\/p>\n

Achim Schulz
Tenor<\/span><\/p>\n

<\/span>Tom Philipps
Tenor<\/span><\/p>\n

Hidde Kleikamp
Bariton
<\/span><\/p>\n

Tim Scott Whiteley
bassus<\/span><\/p>\n

Andr\u00e9s Soler Casta\u00f1o
bassus<\/span><\/p>\n

Paul Van Nevel
Leitung<\/span><\/p>\n

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Rund um das Konzert<\/span><\/span><\/span><\/h3>\n

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Kirche Saint-Matthieu
HAEGEN<\/h4>\n

15.00 Uhr – Taschenkonzert<\/span><\/a><\/h5>\n

\u201eLes Estampies du chansonnier du Roy\u201c mit dem Kalamus Ensemble<\/span><\/p>\n

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Abbaye Saint-\u00c9tienne
MARMOUTIER<\/h4>\n

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16.30 Uhr – Musikstunde mittelalterlicher Musik<\/span><\/a><\/h4>\n

Mit dem Huelgas Ensemble<\/span><\/p>\n

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Samstag, 30. August | 18 Uhr Marmoutier | Abbaye Saint-\u00c9tienneParis 1200 Um 1200 entstand in Paris mit dem Bau der Kathedrale Notre-Dame eine architektonische Sensation. Es ist daher nicht verwunderlich, dass dieses fruchtbare kulturelle Umfeld auch in musikalischer Hinsicht f\u00fcr Aufsehen sorgte, indem sich die sogenannte \u201e\u00c9cole de Notre-Dame\u201c entwickelte. Zum ersten Mal in der […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-5581","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/comments?post=5581"}],"version-history":[{"count":9,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5581\/revisions"}],"predecessor-version":[{"id":5882,"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/pages\/5581\/revisions\/5882"}],"wp:attachment":[{"href":"https:\/\/www.voix-romane.com\/de\/wp-json\/wp\/v2\/media?parent=5581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}